Waves bench which is designed for performing arts venue Zorlu Center PSM’s stairs in Istanbul, gives fluidity to outdoor stairs. Made of cross sections that are fabricated each one separate from the other. They are then assembled together for people to sit individually or collectively. Waves was constructed from steel, retified wood and wheels. Coming in 11 different movable modules are all harmonic to each other. Waves defines the space in a smooth way becoming urban furniture that people interact with. It is intended to be used by everyone and meant to be a meeting and resting spot for all.
With the ordinary barrel structure, road cone is very easy to be knocked down by people and vehicles to roll on a road during use. So, design a structure principle for the road cone, including the center of gravity place and shape base edge, so that the road cone can steadily stand on the road. It can stand up rapidly by virtue of its own center of gravity and arch once it was knocked down.It is made of waste tire rubber powder. It is easy to made, integrated molding. It not only improves the safety in traffic but also is easy to be transported because of its hollow structure.
In each autumn, fallen leaves are everywhere on the street, not be used. To figure out a way of fallen leaves and give trees more fertilizer, the team find a solution in the tree pools design. Return to the Roots is the solution of fallen leaves. Semi-closed tree pool can effectively avoid water runoff. Trees are spread fertilizer which is rot by their own fallen leaves in the enclosed space formed by the tree pool, so as to increase soil nutrients and stimulate tree growth.
The granulated rubber flooring unifies every square and spared spot of the Raiffeisen quarter into a homogeneous whole. A particularly identity-building feature is its function as a haptically pleasant, cosy red carpet, that unfolds over the entire furniture. With its soft, pleasing material haptics, the amorphous silhouettes of the furniture present a deliberate contrast to the hard precision of the built surroundings.
A maximum, minimalistic garden on a space of 130/130/130 cm. The European interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube. Two materials, plant and stone, a simple shape, following Mies van der Rohes claim:"Less is more". The sculpture moved from Germany to Armenia, where it is placed at the beginning of the Prince of Wales Avenue in the United World College in DILIJAN, ARMENIA.